![]() Because two frames were being exposed at the same time, the film had to be photographed and projected at twice the normal speed. In Process 1 (1916), a prism beam-splitter behind the camera lens exposed two consecutive frames of a single strip of black-and-white negative film simultaneously, one behind a red filter, the other behind a green filter. Technicolor originally existed in a two-color (red and green) system. Two-color Technicolor Process 1 Ī frame from a surviving fragment of The Gulf Between (1917), the first publicly shown Technicolor film In 1921, Wescott left the company, and Technicolor Inc. When the firm was hired to analyze an inventor's flicker-free motion picture system, they became intrigued with the art and science of filmmaking, particularly color motion picture processes, leading to the founding of Technicolor in Boston in 1914 and incorporation in Maine in 1915. Most of the early patents were taken out by Comstock and Wescott, while Kalmus served primarily as the company's president and chief executive officer. Burton Wescott formed Kalmus, Comstock, and Wescott, an industrial research and development firm. In 1912, Kalmus, Comstock, and mechanic W. (1953–present) īoth Kalmus and Comstock went to Europe (Switzerland) to earn PhD degrees Kalmus at University of Zurich, and Comstock at Basel in 1906. This connotation applies to nearly all films made from 1954 onward in which Technicolor is named in the credits. Prints or Color by Technicolor: used since 1954 when Eastmancolor (and other single-strip color film stocks) supplanted the three-film-strip camera negative method, while the Technicolor IB printing process continued to be used as one method of making the prints.(1928–2002, with differing gaps of availability after 1974 depending on the lab) ![]() Originally used for printing from color separation negatives photographed on black-and-white film in a special Technicolor camera. ![]() Technicolor IB printing ("IB" abbreviates " imbibition", a dye-transfer operation): a process for making color motion picture prints that allows the use of dyes that are more stable and permanent than those formed in ordinary chromogenic color printing.Technicolor process or format: several custom imaging systems used in film production, culminating in the "three-strip" process in 1932.Technicolor labs: a group of film laboratories worldwide, owned and run by Technicolor for post-production services including developing, printing, and transferring films in all major color film processes, as well as Technicolor's proprietary ones.Technicolor: an umbrella company encompassing all versions and ancillary services.The term "Technicolor" has been used historically for at least five concepts: The "Tech" in the company's name was inspired by the Massachusetts Institute of Technology, where Herbert Kalmus and Daniel Frost Comstock received their undergraduate degrees in 1904 and were later instructors. Occasionally, even a film noir – such as Leave Her to Heaven (1945) or Niagara (1953) – was filmed in Technicolor. As the technology matured it was also used for less spectacular dramas and comedies. Technicolor's three-color process became known and celebrated for its highly saturated color, and was initially most commonly used for filming musicals such as The Wizard of Oz (1939) and Down Argentine Way (1940), costume pictures such as The Adventures of Robin Hood (1938) and Gone with the Wind (1939), the film Blue Lagoon (1949), and animated films such as Snow White and the Seven Dwarfs (1937), Gulliver's Travels (1939), and Fantasia (1940). Process 4 was the second major color process, after Britain's Kinemacolor (used between 19), and the most widely used color process in Hollywood during the Golden Age of Hollywood. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Technicolor is a series of color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades.ĭefinitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. "Technicolor is natural color" Paul Whiteman stars in the King of Jazz ad from The Film Daily, 1930
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